I’m so pleased to be contributing literary editor for Harper’s Bazaar; I’ll be writing for them every month, and blogging for them here. I’m a contributing writer for The New Statesman, as well as writing for The Financial Times, The Economist, The New York Times… follow me @EricaWgnr where I’ll post links to my pieces! Meantime, the show I’ve made, A Concert of Stories, with storyteller Abbi Patrix and percussionist Linda Edsjo is now part of the touring repertoire of Compagnie de Cercle — here are details about the show, and where to see it (mostly in France, and in French…). If you want to read about how it came about you can do that here. My novel, Seizure, is published in French now as La Coupure. If you’re heading that way… “Seizure is terrific.” Philip Pullman
Please come along to my spring series of Skylight Soirées! In association with The Wapping Project and The New Statesman, I’ll be hosting a series of evenings with some fabulous writers: Kate Mosse, Ian Kelly and Tracey Thorn are still to come; we’re starting up again on April 16. Tickets are only a tenner — and you’ll get to see one of London’s most beautiful buildings, Ely House, built for the Bishop of Ely in 1772. Tickets available on Eventbrite here!
Subscribe to the book of essays I’m editing for Unbound about the great Alan Garner — we’ve got contributors like Margaret Atwood, Neil Gaiman, Stephen Fry, Ali Smith and many others! Check it out and sign up: you won’t regret it.
Quote of the day
- An eerie resonance — “Universal suffrage can only mean in plain English the government of ignorance and vice — it means a European, and especially Celtic, proletariat on the Atlantic coast, an African proletariat on the shores of the Gulf [of Mexico], and a Chinese proletariat on the Pacific.” Boston’s Charles Francis Adams Jr., grandson of John Quincy Adams, in 1877. From Machine Made: Tammany Hall and the Creation of Modern American Politics by Terry Golway